Glasstire: FotoFest Announces Artists for 2022 Biennial Exhibition by Brandon Zech →

We are pleased to announce Delilah Montoya is participating in the FotoFest Biennial 2022, If I Had a Hammer, opening September 24 and running through November 6 in Houston.

The exhibition is co-curated by Steven Evans, Amy Sadao, and Max Fields and features twenty-three international artists, photographers, and activists whose work reveals the social and political impacts of image production and circulation.

FotoFest is a Houston-based arts organization dedicated to advancing photography and visual culture through the presentation of exhibitions, public programs, and publications.

Glasstire: "One Work, Short Take: Robert Milnes at Photographs Do Not Bend Gallery, Dallas" by Matthew Bourbon →

Robert Milnes’ recent ceramic forms are partially inspired by life under the sea. The undulating and colorfully articulated shapes are not exact renditions of anything specific, but instead loosely suggestive of the often fanciful creatures that populate the underwater.

Glasstire: "Patty Carroll: Anonymous Women: Domestic Demise at PDNB Gallery, Dallas" by Colette Copeland →

On first glance at Patty Carroll’s exhibition at PDNB Gallery, I immediately thought of Hal Foster’s 2011 book Design and Crime (and Other Diatribes).

Glasstire: “Jeanine Michna-Bales Revisits the Final Campaign for Women’s Suffrage” by Colette Copeland →

I first met Jeanine Michna-Bales in 2017, in conjunction with her exhibition and book publication of Through Darkness to Light: Photographs Along the Underground Railroad, and had the pleasure of interviewing her for Glasstire. Michna-Bales’ process is very research-intensive, and her current project, Standing Together: Inez Milholland’s Final Campaign for Women’s Suffrage, is no exception.