Dallas Morning News: At PDNB Gallery, artist Jeanine Michna-Bales follows in the footsteps of women’s suffragist. The thought-provoking show retraces the 1916 path of Inez Milholland.

Do you ever wish that a heroic soul would come along riding a horse to save the day and protect the rights of the people like we used to see in old Hollywood movies? Artist Jeanine Michna-Bales’ rich and deeply nuanced exhibition at the Photographs Do Not Bend Gallery and its accompanying publication delve into one woman’s crusade, sometimes on horseback, to do just that.

Glasstire: “Jeanine Michna-Bales Revisits the Final Campaign for Women’s Suffrage” by Colette Copeland

I first met Jeanine Michna-Bales in 2017, in conjunction with her exhibition and book publication of Through Darkness to Light: Photographs Along the Underground Railroad, and had the pleasure of interviewing her for Glasstire. Michna-Bales’ process is very research-intensive, and her current project, Standing Together: Inez Milholland’s Final Campaign for Women’s Suffrage, is no exception.

A Master Turns 90 — and His Photos Will Make You Smile: How a Man Who Loves Dogs and Cuba Became an Art Star by Billy Fong

Sometimes you just want to end your workweek with a smile on your face. That was my plan recently when I decided to pop in to preview the Elliot Erwitt exhibition at PDNB (Photographs Do Not Bend) Gallery. Erwitt’s photographs are not cotton-candy fluff by any stretch of the imagination, however they always seem to put me in a good mood.